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FICKUR, Omega, 52 mm, silverboett.

Unknown maker or artist · Clocks and watches · Karljohan Auktioner

Open auction lot
0
low priority

Acquisition position

Current all in cost

1147.0 SEK
Current bid or estimate829.0 SEK
Modelled discount0.0%
Liquidity score94%

Potential market value

Specialist value interval

Not calculated
Value confidence0%
Comparable sales0

Evidence strength

13%
Identity confidence28%
Visual match0%
External references12

Market anomaly

0%
Information gap86%
Potential undervaluation0.0%

Risk profile

8%
Authenticity risk8%
Condition risk6%

Investigation rationale

Why this may be worth considering

  • No positive signals have been confirmed yet.

Decision guardrails

What must be verified

  • missing maker
  • missing reference
  • missing serial
  • missing movement
  • missing case_material
  • missing service_history

Visual laboratory

Add and compare research imagery

Object record

Known facts and missing information

ArtistMissing
MakerMissing
MediumMissing
MaterialsMissing
Dimensions? × ? × ? cm
WeightMissing g
YearMissing
EditionMissing
MarksMissing
ConditionTillsynes fungerande vid enklare test.
ProvenanceMissing
Modelclocks_watches_specialist 2.0.0

Kedja i doublé.

Identity resolution

Artist and maker hypotheses

Ranked from independent evidence. Confirmation or rejection becomes controlled training data.

11 candidates
1 independent sources

Samuel J. Miller American, 1822–1888

Visual 0% · Name 35% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Gorham & Thurber (American, 1850–52) Providence

Visual 0% · Name 35% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Spinello Aretino (Spinello di Luca Spinello; Italian, 1345/52-1410)

Visual 0% · Name 34% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Berenice Abbott American, 1898–1991

Visual 0% · Name 33% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Timothy O'Sullivan (American, born Ireland, 1840–1882) and Rick Dingus (American, born 1951)

Visual 0% · Name 33% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858

Visual 0% · Name 32% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Brian Weil American, 1954-1996

Visual 0% · Name 32% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Giovanni Battista Moroni (Italian, 1520/24–1578)

Visual 0% · Name 32% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

André Cadere Romanian, born Poland, 1934–1978

Visual 0% · Name 30% · Marks 25% · Material 40%

23% combined confidence
1 independent sources

Bruce Nauman American, born 1941

Visual 0% · Name 29% · Marks 25% · Material 40%

23% combined confidence
1 independent sources

Clyfford Still American, 1904-80

Visual 0% · Name 29% · Marks 25% · Material 40%

23% combined confidence

Closed deal feedback

Teach the valuation model

Enter the verified hammer price after the auction closes. Only verified outcomes become calibration data.

Learning guardrail

Truth before training

  • Unverified AI output is stored as a hypothesis only.
  • One-source matches are confidence capped.
  • Rejected matches improve source and feature calibration.
  • At least five verified closed sales are required per category.

Global research evidence

Reference material found elsewhere

12 references
Art Institute of Chicago

Edge of Storm Mountain Resevoir, Big Cottonwood Canyon, Utah

Timothy O'Sullivan (American, born Ireland, 1840–1882) and Rick Dingus (American, born 1951)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Untitled (Sex and Death)

Brian Weil American, 1954-1996

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Fire Engine House #52

Berenice Abbott American, 1898–1991

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Saint Francis before the Pope (The Approval of the Franciscan Rule)

Spinello Aretino (Spinello di Luca Spinello; Italian, 1345/52-1410)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Frederick Douglass

Samuel J. Miller American, 1822–1888

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Untitled (Baton de Darthea)

André Cadere Romanian, born Poland, 1934–1978

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

PH-246

Clyfford Still American, 1904-80

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Shirasuka: Shiomi Slope,no. 33 from the series Fifty-Three Stations of the Tokaido (Tōkaidō gojūsan tsugi)

Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Gian Lodovico Madruzzo

Giovanni Battista Moroni (Italian, 1520/24–1578)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Good Boy Bad Boy

Bruce Nauman American, born 1941

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Okabe: Mount Utsu (Okabe, Utsunoyama)—No. 22, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido

Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Hot Water Pot

Gorham & Thurber (American, 1850–52) Providence

0% similarityCheck object rights; API metadata is open

Comparable logic

Specialist model explanation

Comparable IDMatchPriceReasons

Automatic signature module

Every artwork image is checked for signatures and marks

The local engine detects and isolates candidate regions, searches the trusted mark library and runs conservative signature forensics. Optional AI interprets unreadable regions and creates research queries without changing the forensic verdict.

Candidate regions0
Signature regions0
AI enrichmentLocal only
PipelineNot run

No automatic mark result yet

The module runs during normal analysis when a local image is available.

Marks laboratory

Isolate and identify signatures, hallmarks and maker marks

110 independent methods generate cleanup variants, stroke and symbol descriptors, library matches, trust controls and conflict warnings.

Open mark library

Match an unknown mark

Upload the tightest available crop. Include a little surrounding surface so the system can separate paint, engraving, glare and background.

Add a known reference

Signature forensics

Check consistency with known genuine variation

This does not declare a signature genuine. It measures fit against a multi-source reference set, confusing signers and natural variation.

No forensic check yet

Run mark matching first, then compare the questioned signature against a sufficiently broad trusted reference set.

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