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CLYDA PARIS, armbandsur, quartz, gulddouble ́.

Unknown maker or artist · Clocks and watches · Skandia Auktion

Open auction lot
0
low priority

Acquisition position

Current all in cost

510.0 SEK
Current bid or estimate300.0 SEK
Modelled discount0.0%
Liquidity score94%

Potential market value

Specialist value interval

Not calculated
Value confidence0%
Comparable sales0

Evidence strength

15%
Identity confidence32%
Visual match0%
External references12

Market anomaly

0%
Information gap86%
Potential undervaluation0.0%

Risk profile

8%
Authenticity risk8%
Condition risk6%

Investigation rationale

Why this may be worth considering

  • No positive signals have been confirmed yet.

Decision guardrails

What must be verified

  • missing maker
  • missing reference
  • missing serial
  • missing movement
  • missing case_material
  • missing service_history

Visual laboratory

Add and compare research imagery

Object record

Known facts and missing information

ArtistMissing
MakerMissing
MediumMissing
MaterialsMissing
Dimensions? × ? × ? cm
WeightMissing g
YearMissing
EditionMissing
MarksMissing
ConditionIngen funktionsgaranti lämnas.
ProvenanceMissing
Modelclocks_watches_specialist 2.0.0

Boettnr EO 453. Diameter ca 24 mm.

Identity resolution

Artist and maker hypotheses

Ranked from independent evidence. Confirmation or rejection becomes controlled training data.

12 candidates
1 independent sources

Harold Paris (American, 1925-1979) printed by Bohuslav Horák (American, born Czechoslovakia, 1914-2004) published by Tamarind Lithography Workshop (American, founded 1960)

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Possibly after Paris Bordone Italian, 1500-1571

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Harold Paris American, 1925-1979

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Irving Penn American, 1917–2009

Visual 0% · Name 39% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Gustave Caillebotte (French, 1848–1894)

Visual 0% · Name 38% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Henry Wilson (English, 1864-1934) England, London

Visual 0% · Name 35% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Koji Enokura Japanese, 1942-1995

Visual 0% · Name 34% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Weddeghe Velstede (German, active 1432-73) container: Egyptian

Visual 0% · Name 33% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Edgar Degas French, 1834-1917

Visual 0% · Name 32% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Antonio Canova (Italian, 1757–1822)

Visual 0% · Name 32% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Camille Silvy French, 1834-1910

Visual 0% · Name 32% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

China

Visual 0% · Name 24% · Marks 25% · Material 40%

22% combined confidence

Closed deal feedback

Teach the valuation model

Enter the verified hammer price after the auction closes. Only verified outcomes become calibration data.

Learning guardrail

Truth before training

  • Unverified AI output is stored as a hypothesis only.
  • One-source matches are confidence capped.
  • Rejected matches improve source and feature calibration.
  • At least five verified closed sales are required per category.

Global research evidence

Reference material found elsewhere

12 references
Art Institute of Chicago

December

Harold Paris (American, 1925-1979) printed by Bohuslav Horák (American, born Czechoslovakia, 1914-2004) published by Tamarind Lithography Workshop (American, founded 1960)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Covered Ewer with Lizard-Shaped Handle

China

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Reliquary Monstrance with a Tooth of Saint John the Baptist

Weddeghe Velstede (German, active 1432-73) container: Egyptian

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Neptune

Possibly after Paris Bordone Italian, 1500-1571

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Figure After Sculpture

Harold Paris American, 1925-1979

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

"Diana" Diadem

Henry Wilson (English, 1864-1934) England, London

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Paris Street; Rainy Day

Gustave Caillebotte (French, 1848–1894)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Ballet at the Paris Opéra

Edgar Degas French, 1834-1917

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

The Day's Orders (L'Ordre du Jour)

Camille Silvy French, 1834-1910

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Bust of Paris

Antonio Canova (Italian, 1757–1822)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

(Oil on paper) Installation

Koji Enokura Japanese, 1942-1995

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Alberto Giacometti, Paris

Irving Penn American, 1917–2009

0% similarityCheck object rights; API metadata is open

Comparable logic

Specialist model explanation

Comparable IDMatchPriceReasons

Automatic signature module

Every artwork image is checked for signatures and marks

The local engine detects and isolates candidate regions, searches the trusted mark library and runs conservative signature forensics. Optional AI interprets unreadable regions and creates research queries without changing the forensic verdict.

Candidate regions0
Signature regions0
AI enrichmentLocal only
PipelineNot run

No automatic mark result yet

The module runs during normal analysis when a local image is available.

Marks laboratory

Isolate and identify signatures, hallmarks and maker marks

110 independent methods generate cleanup variants, stroke and symbol descriptors, library matches, trust controls and conflict warnings.

Open mark library

Match an unknown mark

Upload the tightest available crop. Include a little surrounding surface so the system can separate paint, engraving, glare and background.

Add a known reference

Signature forensics

Check consistency with known genuine variation

This does not declare a signature genuine. It measures fit against a multi-source reference set, confusing signers and natural variation.

No forensic check yet

Run mark matching first, then compare the questioned signature against a sufficiently broad trusted reference set.

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