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FOTO. EN POSTUM BIOGRAFI ÖVER DEN LITAUISKE FOTOGRAFEN VITAS LUCKUS (1043-1987).

Unknown maker or artist · Photography · Crafoord Auktioner Lund

Open auction lot
0
low priority

Acquisition position

Current all in cost

300.0 SEK
Current bid or estimate300.0 SEK
Modelled discount0.0%
Liquidity score70%

Potential market value

Specialist value interval

Not calculated
Value confidence0%
Comparable sales0

Evidence strength

14%
Identity confidence30%
Visual match0%
External references12

Market anomaly

0%
Information gap100%
Potential undervaluation0.0%

Risk profile

8%
Authenticity risk8%
Condition risk6%

Investigation rationale

Why this may be worth considering

  • No positive signals have been confirmed yet.

Decision guardrails

What must be verified

  • missing photographer
  • missing process
  • missing print_date
  • missing edition
  • missing dimensions
  • missing provenance

Visual laboratory

Add and compare research imagery

Object record

Known facts and missing information

ArtistMissing
MakerMissing
MediumMissing
MaterialsMissing
Dimensions? × ? × ? cm
WeightMissing g
YearMissing
EditionMissing
MarksMissing
ConditionGod kondition!
ProvenanceMissing
Modelphotography_specialist 2.0.0

Foto. Luckus, Vitas., lltauisk fotograf, (1943–1987). Biography. Med texter av Margarita Matulyte och Tatjana Luckiene- Aldag. Translated inte English by Jurij Dobriakov.. Lithuanian Art Museum, 2014. Hög 8vo i ett grått linneband med illustrerad främre pärm. 246 sid. , (II). Texterna på engelska. Mäter ca. 30 cm. x 18 cm. En postum biografi.

Identity resolution

Artist and maker hypotheses

Ranked from independent evidence. Confirmation or rejection becomes controlled training data.

9 candidates
1 independent sources

Presumably woven at the workshop of Jacques I Geubels (died 1601/05) or his widow Catharina van den Eynde (died before 1629) Brussels

Visual 0% · Name 86% · Marks 25% · Material 40%

30% combined confidence
1 independent sources

Designed by Jean Baptiste Huet (French, 1745–1811) Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France

Visual 0% · Name 86% · Marks 25% · Material 40%

30% combined confidence
1 independent sources

Frans van den Wyngaerde (Flemish, 1614-1679) after Peter Paul Rubens (Flemish, 1577-1640)

Visual 0% · Name 86% · Marks 25% · Material 40%

30% combined confidence
1 independent sources

Designed by Jean Baptiste Huet (French, 1745–1811) after Jean Baptiste Oudry (French, 1686–1755) Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France

Visual 0% · Name 86% · Marks 25% · Material 40%

30% combined confidence
1 independent sources

Designed by Jean Baptiste Huet (French, 1745–1811) after Raphael (Italian, 1483-1520) Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France

Visual 0% · Name 86% · Marks 25% · Material 40%

30% combined confidence
1 independent sources

Chen Qi Chinese, born 1963

Visual 0% · Name 29% · Marks 25% · Material 40%

26% combined confidence
1 independent sources

Gerbrand van den Eeckhout Dutch 1621-1674

Visual 0% · Name 57% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

South German; possibly Nuremberg Master H W over W

Visual 0% · Name 57% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Japan

Visual 0% · Name 36% · Marks 25% · Material 40%

25% combined confidence

Closed deal feedback

Teach the valuation model

Enter the verified hammer price after the auction closes. Only verified outcomes become calibration data.

Learning guardrail

Truth before training

  • Unverified AI output is stored as a hypothesis only.
  • One-source matches are confidence capped.
  • Rejected matches improve source and feature calibration.
  • At least five verified closed sales are required per category.

Global research evidence

Reference material found elsewhere

12 references
Art Institute of Chicago

Venus and Adonis (?) with the Duck Hunt

Presumably woven at the workshop of Jacques I Geubels (died 1601/05) or his widow Catharina van den Eynde (died before 1629) Brussels

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

[Winter in] 1987

Chen Qi Chinese, born 1963

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

Christ and the Woman Taken in Adultery

Gerbrand van den Eeckhout Dutch 1621-1674

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

Atsuita karaori (Noh Costume)

Japan

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

Cranequin ( Winder ) for a Crossbow

South German; possibly Nuremberg Master H W over W

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

Amorini et Medallions (Cupid and Medallions) (Furnishing Fabric)

Designed by Jean Baptiste Huet (French, 1745–1811) Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

Les Travaux de la Manufacture (The Activities of the Factory) (Furnishing Fabric)

Designed by Jean Baptiste Huet (French, 1745–1811) Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

Bacchus and Drunken Silenus—The Dream of Silenus

Frans van den Wyngaerde (Flemish, 1614-1679) after Peter Paul Rubens (Flemish, 1577-1640)

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

Le Meunier, Son Fils, et l'Ane (The Miller, His Son, and the Ass) (Furnishing Fabric)

Designed by Jean Baptiste Huet (French, 1745–1811) after Jean Baptiste Oudry (French, 1686–1755) Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

Les Quatre Parties du Monde (Four Quarters of the Globe) (Furnishing Fabric)

Designed by Jean Baptiste Huet (French, 1745–1811) Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

Diane Chasseresse (Diana the Huntress) (Furnishing Fabric)

Designed by Jean Baptiste Huet (French, 1745–1811) after Raphael (Italian, 1483-1520) Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France

0% similarityCheck object rights; API metadata is openArt Institute of Chicago

Uchikake (Over Kimono)

Japan

0% similarityCheck object rights; API metadata is open

Comparable logic

Specialist model explanation

Comparable IDMatchPriceReasons

Automatic signature module

Every artwork image is checked for signatures and marks

The local engine detects and isolates candidate regions, searches the trusted mark library and runs conservative signature forensics. Optional AI interprets unreadable regions and creates research queries without changing the forensic verdict.

Candidate regions0
Signature regions0
AI enrichmentLocal only
PipelineNot run

No automatic mark result yet

The module runs during normal analysis when a local image is available.

Marks laboratory

Isolate and identify signatures, hallmarks and maker marks

110 independent methods generate cleanup variants, stroke and symbol descriptors, library matches, trust controls and conflict warnings.

Open mark library

Match an unknown mark

Upload the tightest available crop. Include a little surrounding surface so the system can separate paint, engraving, glare and background.

Add a known reference

Signature forensics

Check consistency with known genuine variation

This does not declare a signature genuine. It measures fit against a multi-source reference set, confusing signers and natural variation.

No forensic check yet

Run mark matching first, then compare the questioned signature against a sufficiently broad trusted reference set.

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