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CHRISTIAN THOMSEN. Figurin, faun och björn, porslin, Royal Copenhagen, Danmark.

Christian Thomsen · Ceramics and porcelain · Helsingborgs Auktionskammare

Open auction lot
40
low priority

Acquisition position

Current all in cost

700.0 SEK
Current bid or estimate557.0 SEK
Modelled discount39.1%
Liquidity score80%

Potential market value

Specialist value interval

355 to 2400 SEK
Value confidence71%
Comparable sales30

Evidence strength

40%
Identity confidence36%
Visual match0%
External references12

Market anomaly

42%
Information gap67%
Potential undervaluation39.1%

Risk profile

8%
Authenticity risk8%
Condition risk6%

Investigation rationale

Why this may be worth considering

  • maker or artist identity supplied

Decision guardrails

What must be verified

  • missing factory
  • missing material
  • missing mark
  • missing dimensions

Visual laboratory

Add and compare research imagery

Object record

Known facts and missing information

ArtistChristian Thomsen
MakerMissing
MediumMissing
MaterialsMissing
Dimensions? × ? × ? cm
WeightMissing g
YearMissing
EditionMissing
MarksMissing
ConditionIII:e sortering, obetydligt bruksskick.
ProvenanceMissing
Modelceramics_specialist 2.0.0

Nr 648 Höjd 17,5 cm.

Identity resolution

Artist and maker hypotheses

Ranked from independent evidence. Confirmation or rejection becomes controlled training data.

12 candidates
1 independent sources

Christian Boltanski French, 1944-2021

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Guido Reni (Italian, 1575–1642)

Visual 0% · Name 49% · Marks 25% · Material 40%

27% combined confidence
1 independent sources

Richard Scheibe German, 1879-1964

Visual 0% · Name 45% · Marks 25% · Material 40%

26% combined confidence
1 independent sources

Pierre Bonnard French, 1867–1947

Visual 0% · Name 42% · Marks 25% · Material 40%

26% combined confidence
1 independent sources

Giovanni Benedetto Castiglione Italian, 1609-1664

Visual 0% · Name 42% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Marc Chagall Born Vitebsk (formerly Russian Empire, now Belarus), 1887; died Saint-Paul, France, 1985

Visual 0% · Name 42% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Antonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741)

Visual 0% · Name 41% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Francisco de Zurbarán (Spanish, 1598–1664)

Visual 0% · Name 40% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Bartolomeo di Giovanni (Italian, active c. 1465-1501)

Visual 0% · Name 39% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Martín de Soria (Spanish, active 1449–87)

Visual 0% · Name 39% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Cecco del Caravaggio (Francesco Boneri; Italian, 1588/90–after 1620)

Visual 0% · Name 38% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Jacques de Baerze (Netherlandish, active before 1384–1399) Melchior Broederlam (Netherlandish, about 1355–about 1411)

Visual 0% · Name 35% · Marks 25% · Material 40%

24% combined confidence

Closed deal feedback

Teach the valuation model

Enter the verified hammer price after the auction closes. Only verified outcomes become calibration data.

Learning guardrail

Truth before training

  • Unverified AI output is stored as a hypothesis only.
  • One-source matches are confidence capped.
  • Rejected matches improve source and feature calibration.
  • At least five verified closed sales are required per category.

Global research evidence

Reference material found elsewhere

12 references
Art Institute of Chicago

White Crucifixion

Marc Chagall Born Vitebsk (formerly Russian Empire, now Belarus), 1887; died Saint-Paul, France, 1985

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

The Creation of Adam

Giovanni Benedetto Castiglione Italian, 1609-1664

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

The Crucifixion

Francisco de Zurbarán (Spanish, 1598–1664)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Earthly Paradise

Pierre Bonnard French, 1867–1947

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Salome with the Head of Saint John the Baptist

Guido Reni (Italian, 1575–1642)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Saint Christopher Meets Satan; Saint Christopher before the King of Lycia

Martín de Soria (Spanish, active 1449–87)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Detective

Christian Boltanski French, 1944-2021

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Scenes from the Life of Saint John the Baptist

Bartolomeo di Giovanni (Italian, active c. 1465-1501)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Virgin of the Immaculate Conception

Antonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Christ Entering Jerusalem

Richard Scheibe German, 1879-1964

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

The Resurrection

Cecco del Caravaggio (Francesco Boneri; Italian, 1588/90–after 1620)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Corpus of Christ, from the Altarpiece of the Crucifixion

Jacques de Baerze (Netherlandish, active before 1384–1399) Melchior Broederlam (Netherlandish, about 1355–about 1411)

0% similarityCheck object rights; API metadata is open

Comparable logic

Specialist model explanation

Comparable IDMatchPriceReasons
2283567%1100.0 SEKidentity 100%, material 45%, size 62%, title 93%, factory marks 45%
1824167%300.0 SEKidentity 100%, material 45%, size 62%, title 90%, factory marks 45%
1795667%600.0 SEKidentity 100%, material 45%, size 62%, title 89%, factory marks 45%
1137857%500.0 SEKidentity 71%, material 45%, size 62%, title 68%, factory marks 45%
1411956%3803.0 SEKidentity 71%, material 45%, size 62%, title 64%, factory marks 45%
1438451%355.0 SEKidentity 59%, material 45%, size 62%, title 45%, factory marks 45%
2258251%300.0 SEKidentity 59%, material 45%, size 62%, title 41%, factory marks 45%
1156551%401.0 SEKidentity 59%, material 45%, size 62%, title 42%, factory marks 45%

Automatic signature module

Every artwork image is checked for signatures and marks

The local engine detects and isolates candidate regions, searches the trusted mark library and runs conservative signature forensics. Optional AI interprets unreadable regions and creates research queries without changing the forensic verdict.

Candidate regions0
Signature regions0
AI enrichmentLocal only
PipelineNot run

No automatic mark result yet

The module runs during normal analysis when a local image is available.

Marks laboratory

Isolate and identify signatures, hallmarks and maker marks

110 independent methods generate cleanup variants, stroke and symbol descriptors, library matches, trust controls and conflict warnings.

Open mark library

Match an unknown mark

Upload the tightest available crop. Include a little surrounding surface so the system can separate paint, engraving, glare and background.

Add a known reference

Signature forensics

Check consistency with known genuine variation

This does not declare a signature genuine. It measures fit against a multi-source reference set, confusing signers and natural variation.

No forensic check yet

Run mark matching first, then compare the questioned signature against a sufficiently broad trusted reference set.

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