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TOMAS ANAGRIUS. Fat, glaserat stengods, signerat.

Tomas Anagrius · Ceramics and porcelain · Stockholms Auktionsverk Helsingborg

Open auction lot
40
low priority

Acquisition position

Current all in cost

744.12 SEK
Current bid or estimate517.0 SEK
Modelled discount42.6%
Liquidity score80%

Potential market value

Specialist value interval

401 to 2400 SEK
Value confidence71%
Comparable sales30

Evidence strength

40%
Identity confidence36%
Visual match0%
External references12

Market anomaly

34%
Information gap67%
Potential undervaluation42.6%

Risk profile

8%
Authenticity risk8%
Condition risk6%

Investigation rationale

Why this may be worth considering

  • maker or artist identity supplied

Decision guardrails

What must be verified

  • missing factory
  • missing material
  • missing mark
  • missing dimensions

Visual laboratory

Add and compare research imagery

Object record

Known facts and missing information

ArtistTomas Anagrius
MakerMissing
MediumMissing
MaterialsMissing
Dimensions? × ? × ? cm
WeightMissing g
YearMissing
EditionMissing
MarksMissing
ConditionNo remarks.
ProvenanceMissing
Modelceramics_specialist 2.0.0

Diameter 45,5 cm Has resale rights.

Identity resolution

Artist and maker hypotheses

Ranked from independent evidence. Confirmation or rejection becomes controlled training data.

12 candidates
1 independent sources

K'iche' Maya San Tomás Chichicastenango, Guatemala

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Hilt: Italian; blade: Tomas Ayala, Spanish, Toledo

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Quiché Maya Probably San Tomás Chichicastenango, Guatemala

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Maya San Tomás Chichicastenango, Quiché, Guatemala

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Peter Blake English, born 1932

Visual 0% · Name 40% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Toshusai Sharaku 東洲斎 写楽 Japanese, active 1794-95

Visual 0% · Name 39% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

N. Tomas (probably French, 19th century) after Raphael (Italian, 1483-1520) published by Damour (French, active 1784-1806)

Visual 0% · Name 38% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

After a design by Jan van Orley (Flemish, 1665–1735) Woven at the workshop of Daniel IV Leyniers (Flemish, 1705–1770) Brussels

Visual 0% · Name 37% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Jack Beal American, 1931-2013

Visual 0% · Name 37% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Alfredo Castañeda (Mexican, 1938-2010) printed by Tamarind Lithography Workshop (American, founded 1960)

Visual 0% · Name 36% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

José Guadalupe Posada Mexican, 1852-1913

Visual 0% · Name 35% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Edvard Munch Norwegian, 1863-1944

Visual 0% · Name 31% · Marks 25% · Material 40%

24% combined confidence

Closed deal feedback

Teach the valuation model

Enter the verified hammer price after the auction closes. Only verified outcomes become calibration data.

Learning guardrail

Truth before training

  • Unverified AI output is stored as a hypothesis only.
  • One-source matches are confidence capped.
  • Rejected matches improve source and feature calibration.
  • At least five verified closed sales are required per category.

Global research evidence

Reference material found elsewhere

12 references
Art Institute of Chicago

The actors Ichikawa Tomiemon (R) as Kanisaka Toma and Sanogawa Ichimatsu III (L) as the Gion Prostitute Onayo

Toshusai Sharaku 東洲斎 写楽 Japanese, active 1794-95

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Sixth Hour of the Night, from Raphael's Hours

N. Tomas (probably French, 19th century) after Raphael (Italian, 1483-1520) published by Damour (French, active 1784-1806)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Toma de Conciencia, from México Nueve

Alfredo Castañeda (Mexican, 1938-2010) printed by Tamarind Lithography Workshop (American, founded 1960)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

The Fat Whore

Edvard Munch Norwegian, 1863-1944

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Crime Never Before Seen! (Tomás Sanchez)

José Guadalupe Posada Mexican, 1852-1913

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Married Woman's Pot or Huipil (Blouse or Tunic)

K'iche' Maya San Tomás Chichicastenango, Guatemala

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Fat Landscape

Jack Beal American, 1931-2013

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Cup-Hilted Rapier

Hilt: Italian; blade: Tomas Ayala, Spanish, Toledo

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Fat Boy

Peter Blake English, born 1932

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Procession of the Fat Ox from a Teniers Series

After a design by Jan van Orley (Flemish, 1665–1735) Woven at the workshop of Daniel IV Leyniers (Flemish, 1705–1770) Brussels

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Tzute (Woman's Shawl or Headdress)

Quiché Maya Probably San Tomás Chichicastenango, Guatemala

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Tzute (Man's Headcloth)

Maya San Tomás Chichicastenango, Quiché, Guatemala

0% similarityCheck object rights; API metadata is open

Comparable logic

Specialist model explanation

Comparable IDMatchPriceReasons
43568%1500.0 SEKidentity 100%, material 45%, size 62%, title 100%, factory marks 45%
54868%1500.0 SEKidentity 100%, material 45%, size 62%, title 100%, factory marks 45%
84368%1500.0 SEKidentity 100%, material 45%, size 62%, title 100%, factory marks 45%
93868%1900.0 SEKidentity 100%, material 45%, size 62%, title 100%, factory marks 45%
88954%2400.0 SEKidentity 65%, material 45%, size 62%, title 61%, factory marks 45%
2258254%300.0 SEKidentity 65%, material 45%, size 62%, title 56%, factory marks 45%
2095454%550.0 SEKidentity 65%, material 45%, size 62%, title 55%, factory marks 45%
1156554%401.0 SEKidentity 65%, material 45%, size 62%, title 53%, factory marks 45%

Automatic signature module

Every artwork image is checked for signatures and marks

The local engine detects and isolates candidate regions, searches the trusted mark library and runs conservative signature forensics. Optional AI interprets unreadable regions and creates research queries without changing the forensic verdict.

Candidate regions0
Signature regions0
AI enrichmentLocal only
PipelineNot run

No automatic mark result yet

The module runs during normal analysis when a local image is available.

Marks laboratory

Isolate and identify signatures, hallmarks and maker marks

110 independent methods generate cleanup variants, stroke and symbol descriptors, library matches, trust controls and conflict warnings.

Open mark library

Match an unknown mark

Upload the tightest available crop. Include a little surrounding surface so the system can separate paint, engraving, glare and background.

Add a known reference

Signature forensics

Check consistency with known genuine variation

This does not declare a signature genuine. It measures fit against a multi-source reference set, confusing signers and natural variation.

No forensic check yet

Run mark matching first, then compare the questioned signature against a sufficiently broad trusted reference set.

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