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FOLKDRÄKT. Ull, bomull och siden mm.

Unknown maker or artist · Jewelry · Skånes Auktionsverk

Open auction lot
0
low priority

Acquisition position

Current all in cost

1186.34 SEK
Current bid or estimate850.0 SEK
Modelled discount0.0%
Liquidity score88%

Potential market value

Specialist value interval

Not calculated
Value confidence0%
Comparable sales0

Evidence strength

16%
Identity confidence36%
Visual match0%
External references12

Market anomaly

0%
Information gap86%
Potential undervaluation0.0%

Risk profile

8%
Authenticity risk8%
Condition risk18%

Investigation rationale

Why this may be worth considering

  • No positive signals have been confirmed yet.

Decision guardrails

What must be verified

  • condition wording: saknas
  • missing maker
  • missing marks
  • missing metal
  • missing gemstones
  • missing weight
  • missing measurements

Visual laboratory

Add and compare research imagery

Object record

Known facts and missing information

ArtistMissing
MakerMissing
MediumMissing
MaterialsMissing
Dimensions? × ? × ? cm
WeightMissing g
YearMissing
EditionMissing
MarksMissing
ConditionBroschen med tennlödningar. Sjalen med fläckar (stearin?), väskan med några märken, små hål.
ProvenanceMissing
Modeljewelry_specialist 2.0.0

Bestående av: överdel i bomull, kjol, förkläde och livstycke i ull, sjal i siden, väska i läder med mässingshake, brosch i mässing. Snörning till livet saknas. Klädförvaring medföljer. Tillägg: broderad sidenhätta medföljer. Kjolens midjemått ca 72 cm (finns några cm att lägga ut). Kjolens längd ca 81 cm.

Identity resolution

Artist and maker hypotheses

Ranked from independent evidence. Confirmation or rejection becomes controlled training data.

11 candidates
1 independent sources

Presumably woven at the workshop of Jacques I Geubels (died 1601/05) or his widow Catharina van den Eynde (died before 1629) Brussels

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Helen Frankenthaler (American, 1928-2011) produced at Universal Limited Art Editions (American, founded 1955)

Visual 0% · Name 37% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

stanley brouwn published by art & project, amsterdam

Visual 0% · Name 37% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

After a design by Jacob Jordaens (1593–1678) Woven at the workshop of Jan van Leefdael (1603–1668) Brussels

Visual 0% · Name 36% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

After a cartoon by Lodewijk van Schoor (died 1702) and Pieter Spierinckx (1635–1711) Woven at the workshop of Albert Auwercx (1629–1709) Brussels

Visual 0% · Name 35% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

After a design by Justus van Egmont (1601–1674) Woven at the workshop of Willem van Leefdael (1632–1688) Brussels

Visual 0% · Name 33% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Sam Taylor-Wood English, born 1967

Visual 0% · Name 27% · Marks 25% · Material 40%

23% combined confidence
1 independent sources

Zarina Bhimji Ugandan, born 1963

Visual 0% · Name 27% · Marks 25% · Material 40%

23% combined confidence
1 independent sources

Barbara S. Spitz American, born 1926

Visual 0% · Name 26% · Marks 25% · Material 40%

23% combined confidence
1 independent sources

Caret Caret French, 19th century

Visual 0% · Name 25% · Marks 25% · Material 40%

22% combined confidence
1 independent sources

Jacques Callot French, 1592-1635

Visual 0% · Name 24% · Marks 25% · Material 40%

22% combined confidence

Closed deal feedback

Teach the valuation model

Enter the verified hammer price after the auction closes. Only verified outcomes become calibration data.

Learning guardrail

Truth before training

  • Unverified AI output is stored as a hypothesis only.
  • One-source matches are confidence capped.
  • Rejected matches improve source and feature calibration.
  • At least five verified closed sales are required per category.

Global research evidence

Reference material found elsewhere

12 references
Art Institute of Chicago

East and Beyond

Helen Frankenthaler (American, 1928-2011) produced at Universal Limited Art Editions (American, founded 1955)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Mm. de Ségur

Caret Caret French, 19th century

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Entry of Mm. de Vroncourt, Tyllon, and Marimont, from The Combat at the Barrier

Jacques Callot French, 1592-1635

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

After a design by Jacob Jordaens (1593–1678) Woven at the workshop of Jan van Leefdael (1603–1668) Brussels

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

1000 mm 879 mm

stanley brouwn published by art & project, amsterdam

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

1000 mm 879 mm

stanley brouwn published by art & project, amsterdam

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Venus and Adonis (?) with the Duck Hunt

Presumably woven at the workshop of Jacques I Geubels (died 1601/05) or his widow Catharina van den Eynde (died before 1629) Brussels

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Abundantia from The Four Continents and Related Allegories

After a cartoon by Lodewijk van Schoor (died 1702) and Pieter Spierinckx (1635–1711) Woven at the workshop of Albert Auwercx (1629–1709) Brussels

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Heian Stones

Barbara S. Spitz American, born 1926

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Hysteria

Sam Taylor-Wood English, born 1967

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Out of Blue

Zarina Bhimji Ugandan, born 1963

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

The Battle of Actium from The Story of Caesar and Cleopatra

After a design by Justus van Egmont (1601–1674) Woven at the workshop of Willem van Leefdael (1632–1688) Brussels

0% similarityCheck object rights; API metadata is open

Comparable logic

Specialist model explanation

Comparable IDMatchPriceReasons

Automatic signature module

Every artwork image is checked for signatures and marks

The local engine detects and isolates candidate regions, searches the trusted mark library and runs conservative signature forensics. Optional AI interprets unreadable regions and creates research queries without changing the forensic verdict.

Candidate regions0
Signature regions0
AI enrichmentLocal only
PipelineNot run

No automatic mark result yet

The module runs during normal analysis when a local image is available.

Marks laboratory

Isolate and identify signatures, hallmarks and maker marks

110 independent methods generate cleanup variants, stroke and symbol descriptors, library matches, trust controls and conflict warnings.

Open mark library

Match an unknown mark

Upload the tightest available crop. Include a little surrounding surface so the system can separate paint, engraving, glare and background.

Add a known reference

Signature forensics

Check consistency with known genuine variation

This does not declare a signature genuine. It measures fit against a multi-source reference set, confusing signers and natural variation.

No forensic check yet

Run mark matching first, then compare the questioned signature against a sufficiently broad trusted reference set.

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