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JACOB ÄNGMAN. KAFFESKEDAR, 12 stycken, modell Vasa, silver, GAB 1929.

Jacob Ängman · Silver and metalware · Uppsala Auktionskammare

Open auction lot
51
research

Acquisition position

Current all in cost

1876.0 SEK
Current bid or estimate1876.0 SEK
Modelled discount51.1%
Liquidity score84%

Potential market value

Specialist value interval

1300 to 13579 SEK
Value confidence71%
Comparable sales30

Evidence strength

40%
Identity confidence36%
Visual match0%
External references6

Market anomaly

65%
Information gap67%
Potential undervaluation51.1%

Risk profile

13%
Authenticity risk13%
Condition risk6%

Investigation rationale

Why this may be worth considering

  • maker or artist identity supplied
  • auction estimate is materially below the specialist model
  • Large gap to recent market history
  • Estimate materially below specialist value

Decision guardrails

What must be verified

  • category trap check: silver plate
  • missing hallmarks
  • missing fineness
  • missing weight
  • missing date_letter

Visual laboratory

Add and compare research imagery

Object record

Known facts and missing information

ArtistJacob Ängman
MakerMissing
MediumMissing
MaterialsMissing
Dimensions? × ? × ? cm
WeightMissing g
YearMissing
EditionMissing
MarksMissing
ConditionSmärre bruksslitage.
ProvenanceMissing
Modelsilver_metalware_specialist 2.0.0

L ca 12 cm. Vikt ca 155 g.

Identity resolution

Artist and maker hypotheses

Ranked from independent evidence. Confirmation or rejection becomes controlled training data.

6 candidates
1 independent sources

Lithographs by Pierre Émile Cornillier (French, 19th century); Lucien Perroudon (French, 19th century); Louis Anquetin (French, 1861–1932); Adolphe Ernest Gumery (French, 1861–1943) Herman René Georges Paul (French, 19th century); Maximilien Luce (French, 1858–1941); George Manzana-Pissarro (French, 1871–1961); Hippolyte Petitjean (French, 1854–1929); Louis Armand Rault (French, 19th century); Théo van Rysselberghe (Belgian, 1862–1926); Joaquim Sunyer y Miró (Spanish, 1875–1956); and Félix Edouard Vallotton (French, born Switzerland, 1865–1925) published by Paul Brenet (French, 19th–20th centuries) and Félix Thureau (French, 19th–20th centuries) preface written by Octave Mirbeau (French, 1848–1917)

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Ursula Graeff-Hirsch German, born 1929

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Ansel Adams American, 1902–1984

Visual 0% · Name 45% · Marks 25% · Material 40%

26% combined confidence
1 independent sources

Unknown Artist (Augsburg, 15th century) printed and published by Johann Schönsperger the Elder (German, c. 1455–1521) original text by Jacobus de Voragine (Italian, c. 1230–1298) portfolio text by Wilhelm Ludwig Schreiber (German, 1855–1932)

Visual 0% · Name 40% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Onchi Koshiro Japanese, 1891-1955

Visual 0% · Name 37% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Otakar Mrkvicka (Czech, 1898–1957) Various Artists (Czech, c. 1930)

Visual 0% · Name 35% · Marks 25% · Material 40%

24% combined confidence

Closed deal feedback

Teach the valuation model

Enter the verified hammer price after the auction closes. Only verified outcomes become calibration data.

Learning guardrail

Truth before training

  • Unverified AI output is stored as a hypothesis only.
  • One-source matches are confidence capped.
  • Rejected matches improve source and feature calibration.
  • At least five verified closed sales are required per category.

Global research evidence

Reference material found elsewhere

6 references
Art Institute of Chicago

Hommage des artistes à Picquart

Lithographs by Pierre Émile Cornillier (French, 19th century); Lucien Perroudon (French, 19th century); Louis Anquetin (French, 1861–1932); Adolphe Ernest Gumery (French, 1861–1943) Herman René Georges Paul (French, 19th century); Maximilien Luce (French, 1858–1941); George Manzana-Pissarro (French, 1871–1961); Hippolyte Petitjean (French, 1854–1929); Louis Armand Rault (French, 19th century); Théo van Rysselberghe (Belgian, 1862–1926); Joaquim Sunyer y Miró (Spanish, 1875–1956); and Félix Edouard Vallotton (French, born Switzerland, 1865–1925) published by Paul Brenet (French, 19th–20th centuries) and Félix Thureau (French, 19th–20th centuries) preface written by Octave Mirbeau (French, 1848–1917)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Church at Ranchos de Taos (Built in 1772), pl. 12 from the album "Taos Pueblo" (1930)

Ansel Adams American, 1902–1984

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Rad-12

Ursula Graeff-Hirsch German, born 1929

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Mirror, from the series "Eight Women of Modern Times (Imayo fujin hattai no uchi)"

Onchi Koshiro Japanese, 1891-1955

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Plán. Revue pro literaturu, umeni a vedu (Plan: Journal of Literature, art and science)

Otakar Mrkvicka (Czech, 1898–1957) Various Artists (Czech, c. 1930)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Saint Ciriaco from Heiligenleben (The Lives of Saints), Plate 12 from Woodcuts from Books of the 15th Century

Unknown Artist (Augsburg, 15th century) printed and published by Johann Schönsperger the Elder (German, c. 1455–1521) original text by Jacobus de Voragine (Italian, c. 1230–1298) portfolio text by Wilhelm Ludwig Schreiber (German, 1855–1932)

0% similarityCheck object rights; API metadata is open

Comparable logic

Specialist model explanation

Comparable IDMatchPriceReasons
230966%4100.0 SEKidentity 100%, material 45%, size 62%, title 68%, hallmarks 45%, weight 62%
998966%10777.0 SEKidentity 100%, material 45%, size 62%, title 65%, hallmarks 45%, weight 62%
983266%16600.0 SEKidentity 100%, material 45%, size 62%, title 64%, hallmarks 45%, weight 62%
90266%28000.0 SEKidentity 100%, material 45%, size 62%, title 62%, hallmarks 45%, weight 62%
990765%13579.0 SEKidentity 100%, material 45%, size 62%, title 61%, hallmarks 45%, weight 62%
960065%60000.0 SEKidentity 100%, material 45%, size 62%, title 59%, hallmarks 45%, weight 62%
283663%14000.0 SEKidentity 92%, material 45%, size 62%, title 62%, hallmarks 45%, weight 62%
1197553%5500.0 SEKidentity 61%, material 45%, size 62%, title 41%, hallmarks 45%, weight 62%

Automatic signature module

Every artwork image is checked for signatures and marks

The local engine detects and isolates candidate regions, searches the trusted mark library and runs conservative signature forensics. Optional AI interprets unreadable regions and creates research queries without changing the forensic verdict.

Candidate regions0
Signature regions0
AI enrichmentLocal only
PipelineNot run

No automatic mark result yet

The module runs during normal analysis when a local image is available.

Marks laboratory

Isolate and identify signatures, hallmarks and maker marks

110 independent methods generate cleanup variants, stroke and symbol descriptors, library matches, trust controls and conflict warnings.

Open mark library

Match an unknown mark

Upload the tightest available crop. Include a little surrounding surface so the system can separate paint, engraving, glare and background.

Add a known reference

Signature forensics

Check consistency with known genuine variation

This does not declare a signature genuine. It measures fit against a multi-source reference set, confusing signers and natural variation.

No forensic check yet

Run mark matching first, then compare the questioned signature against a sufficiently broad trusted reference set.

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