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ANN WOLFF. Litografi. Signerad, numrerad.

Ann Wolff · Prints and works on paper · Gomér & Andersson Linköping

Open auction lot
47
research

Acquisition position

Current all in cost

332.96 SEK
Current bid or estimate300.0 SEK
Modelled discount55.5%
Liquidity score78%

Potential market value

Specialist value interval

300 to 1200 SEK
Value confidence69%
Comparable sales30

Evidence strength

38%
Identity confidence32%
Visual match0%
External references17

Market anomaly

60%
Information gap60%
Potential undervaluation55.5%

Risk profile

8%
Authenticity risk8%
Condition risk6%

Investigation rationale

Why this may be worth considering

  • maker or artist identity supplied
  • auction estimate is materially below the specialist model
  • all in acquisition cost is at least 55 percent below modelled value

Decision guardrails

What must be verified

  • missing technique
  • missing edition
  • missing sheet_size

Visual laboratory

Add and compare research imagery

Object record

Known facts and missing information

ArtistAnn Wolff
MakerMissing
MediumMissing
MaterialsMissing
Dimensions? × ? × ? cm
WeightMissing g
YearMissing
EditionMissing
MarksMissing
ConditionEJ TRANSPORT, Defekt glas. Ej examinerad ur ram.
ProvenanceMissing
Modelworks_on_paper_specialist 2.0.0

Ram ca 58x80 cm. Has resale rights.

Identity resolution

Artist and maker hypotheses

Ranked from independent evidence. Confirmation or rejection becomes controlled training data.

15 candidates
1 independent sources

Peggy Smolka Wolff American, 20th century

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Kevin Wolff American, 1955-2018

Visual 0% · Name 86% · Marks 25% · Material 40%

33% combined confidence
1 independent sources

Gerard David

Visual 0% · Name 50% · Marks 25% · Material 40%

27% combined confidence
1 independent sources

Mary Ann Hollis (American, active c. 1820) United States, probably New England

Visual 0% · Name 44% · Marks 25% · Material 40%

26% combined confidence
1 independent sources

Henri Regnault

Visual 0% · Name 43% · Marks 25% · Material 40%

26% combined confidence
1 independent sources

Jean Morin French, c. 1590-1650

Visual 0% · Name 40% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Pablo Picasso

Visual 0% · Name 39% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Ann Morris (American, active c. 19th century) United States

Visual 0% · Name 40% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Thomas Hart Benton

Visual 0% · Name 38% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Designed by Narcissa Niblack Thorne American, 1882-1966

Visual 0% · Name 38% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Sir Thomas Lawrence (English, 1769-1830)

Visual 0% · Name 37% · Marks 25% · Material 40%

25% combined confidence
1 independent sources

Joseph Cornell American, 1903–1972

Visual 0% · Name 35% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Jules Bastien-Lepage

Visual 0% · Name 34% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

Robert Nanteuil (French, 1623-1678) after Pierre Mignard I (French, 1612-1695)

Visual 0% · Name 31% · Marks 25% · Material 40%

24% combined confidence
1 independent sources

England

Visual 0% · Name 27% · Marks 25% · Material 40%

23% combined confidence

Closed deal feedback

Teach the valuation model

Enter the verified hammer price after the auction closes. Only verified outcomes become calibration data.

Learning guardrail

Truth before training

  • Unverified AI output is stored as a hypothesis only.
  • One-source matches are confidence capped.
  • Rejected matches improve source and feature calibration.
  • At least five verified closed sales are required per category.

Global research evidence

Reference material found elsewhere

17 references
The Met Open Access

The Nativity with Donors and Saints Jerome and Leonard

Gerard David

0% similarityCC0 when isPublicDomain is true
The Met Open Access

Gertrude Stein

Pablo Picasso

0% similaritymetadata only or restricted image
The Met Open Access

Joan of Arc

Jules Bastien-Lepage

0% similarityCC0 when isPublicDomain is true
The Met Open Access

America Today

Thomas Hart Benton

0% similaritymetadata only or restricted image
The Met Open Access

Salome

Henri Regnault

0% similarityCC0 when isPublicDomain is true
Art Institute of Chicago

Isabella Wolff

Sir Thomas Lawrence (English, 1769-1830)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

E-5: English Cottage Kitchen of the Queen Anne Period, 1702-14

Designed by Narcissa Niblack Thorne American, 1882-1966

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

E-6: English Library of the Queen Anne Period, 1702-50

Designed by Narcissa Niblack Thorne American, 1882-1966

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Curtain

England

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Anne of Austria, Queen of France

Robert Nanteuil (French, 1623-1678) after Pierre Mignard I (French, 1612-1695)

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

John Hancock Center TOPS Design Competition, Elevation

Peggy Smolka Wolff American, 20th century

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Clay Object with Mirror

Kevin Wolff American, 1955-2018

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Sampler

Ann Morris (American, active c. 19th century) United States

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Ann-In Memory

Joseph Cornell American, 1903–1972

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Sampler

Mary Ann Hollis (American, active c. 1820) United States, probably New England

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Anne-Sophie Herbert, Comtess de Carnarvon

Jean Morin French, c. 1590-1650

0% similarityCheck object rights; API metadata is open
Art Institute of Chicago

Border

England

0% similarityCheck object rights; API metadata is open

Comparable logic

Specialist model explanation

Comparable IDMatchPriceReasons
882553%200.0 SEKidentity 50%, material 45%, size 62%, title 84%, edition 45%
1363953%550.0 SEKidentity 60%, material 45%, size 62%, title 56%, edition 45%
1072653%300.0 SEKidentity 60%, material 45%, size 62%, title 56%, edition 45%
1381652%1200.0 SEKidentity 48%, material 45%, size 62%, title 84%, edition 45%
1162452%300.0 SEKidentity 60%, material 45%, size 62%, title 52%, edition 45%
22052%700.0 SEKidentity 48%, material 45%, size 62%, title 84%, edition 45%
1415752%300.0 SEKidentity 60%, material 45%, size 62%, title 51%, edition 45%
1391851%300.0 SEKidentity 45%, material 45%, size 62%, title 84%, edition 45%

Automatic signature module

Every artwork image is checked for signatures and marks

The local engine detects and isolates candidate regions, searches the trusted mark library and runs conservative signature forensics. Optional AI interprets unreadable regions and creates research queries without changing the forensic verdict.

Candidate regions0
Signature regions0
AI enrichmentLocal only
PipelineNot run

No automatic mark result yet

The module runs during normal analysis when a local image is available.

Marks laboratory

Isolate and identify signatures, hallmarks and maker marks

110 independent methods generate cleanup variants, stroke and symbol descriptors, library matches, trust controls and conflict warnings.

Open mark library

Match an unknown mark

Upload the tightest available crop. Include a little surrounding surface so the system can separate paint, engraving, glare and background.

Add a known reference

Signature forensics

Check consistency with known genuine variation

This does not declare a signature genuine. It measures fit against a multi-source reference set, confusing signers and natural variation.

No forensic check yet

Run mark matching first, then compare the questioned signature against a sufficiently broad trusted reference set.

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